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THE ANCIENT ABBEY OF AJANTA 117 difficulty. The sculptor in this second fragment, rightly feeling that the seat, as he understood the order, could not possibly support the hero, has adopted the ingenious device of introducing two worshipping figures to support the knees ! Still more noticeable, however, are the two feet, or petals reversed, which he has adopted to make of the lotus-throne a lotus-bearing tripod. With this we may compare the genuine Indian treatment of a lotus-throne from Nepal. At the same time, the early age of the lotus-petal ornament is seen on an Asokan doorway in the vihara at Sanchi, the only doorway that has escaped improvement at a later age. Another curious example of the attempt to render symbolistic scenes, according to a verbal or literary description of them, is seen in the picture representing the familiar First Sermon, at Benares. There is undoubted power of composition here. To the untrained European eye these beauties may make it more appealing than the old Sarnath images of the shrine type at Ajanta. Still, the fact remains of an obvious effort to render to order an idea and a convention only half understood. And the place occupied by the dharma-chakra is like a signature appended to the confession of this struggle. It will be noted too, that this dharmachakra is wrong. The trisuL should have pointed away from the chakra. Other curious, and interesting examples of the same kind may be seen in the Museum.