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horse from the peon. It was only after the three men were in Gumersindo's car and on their way to the President's palace that the implications of the incident developed in the drummer's mind. The peon was not in the army; the horse belonged to the peon, and yet Fombombo had taken it with a mere glance and word.

Evening was gathering now. The motor rolled through a street of dark little shops. Here and there a candle-flame pricked a black interior. Above the level line of roofs the east gushed with a wide orange light.

The dictator and the editor had respected the musing mood of their guest and were now talking to each other in low tones. They were discussing Pio Barajo's novels.

In the course of their trip the drummer had that characteristic American feeling that he was wasting time, that here in the car he might get some idea of the general's needs in the way of guns and ammunition. In a pause of the talk about Barajo, he made a tentative effort to speak of the business which had brought him to Canalejos, but the general smoothed this wrinkle out of the conversation, and the talk veered around to Zamacois.

The drummer had dropped back into his original thoughts about the injustice and inequalities of life here in Rio Negro, and what the American people would do in such circumstances, when the motor turned into Plaza Mayor and the motorists saw a procession of torches marching beneath the trees on the other side of the square. Then thfe drummer observed that the automobile in which he rode and the moving line of torches were converging on the dark front of a massive building. He watched the flames without interest until his own conveyance and the marchers came to a halt in front of the great spread of ornamental stairs that flowed out of the entrance of the palace. A priest in a cassock stood at the head of the procession, and immediately behind him