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ANALEJOS was no exception to the general rule that all Venezuelan cities function upon a war basis. At the entrance of a calle, just outside the city wall, stood a faded green sentry-box. As the motor drove up, a sentry popped out of the box, with a briskness and precision unusual in Venezuela. He stood chin up, heels together, quite as if he were under some German martinet. With a snap he handed the motorists the police register and jerked out, from somewhere down in his thorax, military fashion:

“Hup… your names… point of departure… destination… profession…”

It amused Strawbridge to see a South American performing such military antics. It was like a child playing soldier. He was moved to mimic the little fellow by grunting back in the same tones, “Hup… Strawbridge… Caracas… Canalejos… sell guns and ammunition…” Then he wrote those answers in the book.

An anxious look flitted across the face of the sentry at this jocularity. His stiff “eyes front” flickered an instant toward the sentry-box. While the negro and the bull-fighter were filling in the register, a peon came riding up on a black horse. He stopped just behind the motor and with the immense patience of his kind awaited his turn.

While his two companions were signing, Strawbridge yielded to that impulse for horse-play which so often attacks Americans who are young and full-blooded. He leaned out of the motor very solemnly, lifted the cap of the sentry, turned the visor behind, and replaced it on his head. The