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of people moving along the yellow walls of the city. Presently, above the putter of the automobile, he heard snatches of a melancholy singing. The bull-fighter leaned forward in his seat and watched and listened. Presently he said with a certain note of concern in his voice:

“Gumersindo, that's a wedding!”

“I believe it is,” agreed the editor.

Lubito hesitated, then said:

“Would you mind putting on a little more speed, señor! It… it would be interesting to find out whose wedding it is.”

Without comment the negro fed more gasolene. As the motor whirled cityward, the bull-fighter sat with both hands gripping the front seat, staring intently as the wedding music of the peons came to them, with its long-drawn, melancholy burden.

Strawbridge leaned back, listening and looking. He was still thinking about the play in New York and regretting the fact that in real life one never saw any such dramatic openings. In real life it was always just work, work, work— going after an order, or collecting a bill—never any drama or romance, just dull, prosy, commonplace business… such as this.