Page:Folk-lore - A Quarterly Review. Volume 28, 1917.djvu/372

340 the Marama clan set fire to the house of the head of the Miru clan because the Miru had given the coveted distinction to the Ngaure instead of to his own people. An aggrieved clan had its remedy through war. The Mata-toa when taking part in the bird ceremonies are spoken of as the “Ao,” thus “Miru te Ao” signifies that the Miru were the celebrants that year; the same name is given to an actual object in the shape of a large paddle used in dancing, the handle of which was adorned with a human face. The island is triangular in shape, with its apex to the north, and the bird ceremonies were especially connected with the western angle. This portion is formed by an extinct volcano known as Rano Kao, and in October the Mata-toa, or a certain number of them, men, women and children, took up their abode in a number of houses at the foot of the mountain on the landward side. The place is called Mataveri and the removal there was known as “Kaho Mataveri ki te Ao,” or “to go to Mataveri for the Ao.” The houses were made after the fashion of the island, as a superstructure of sticks and reed on a boat-shaped foundation of stone, and here great cannibal feasts were held; tradition relates that so big were the houses that one of the victims escaped by hiding in an extreme end. Similar gruesome feasts took place to the accompaniment of breaking waves in a sea cave near at hand, which still bears the name of “Ana-kai-tangata,” or “Cave eat man”; the roof is covered with paintings of birds in red and white pigment, one of which is superimposed on a drawing of a European ship and cannot, therefore, be earlier than the eighteenth century. For