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268 to tell. By the time he has finished Act II., he has cleared away all his difficulties. The different peculiarities of his principal characters have not only been irrevocably determined on, but he has, by this time, become thoroughly saturated with their spirit; and he has no difficulty whatever in bringing the last act shortly and sharply to an effective conclusion. Facile, who knows his work pretty well, has a theory that no piece has ever yet been written which deserves to arrest the attention of an audience for more than two hours at a time, and he has not the vanity to believe that any piece of his is likely to prove an exception to the rule. The piece, duly completed, is sent to the manager who is to produce it. That gentleman has sufficient faith in Facile to justify him in handing it over at once to his prompter, who proceeds to make a fair copy for his own use, and another for the Lord Chamberlain's inspection. He also copies the "parts" from which the actors and actresses are to study, and which contain simply the words that the actor for whom it is intended has to speak, the stage directions that concern him, and the last three or four words of every speech that immediately precedes his own. As soon as the parts are fairly copied, a "reading" is called—that is to say, the members of the company are summoned to hear the piece read by the author in the green-room. This is an ordeal that Facile particularly dreads. He reads abominably—all authors do—and he knows it. He begins well; he reads slowly and emphatically, with all the proper pauses duly marked; and he indicates the