Page:Flute and Violin and Other Kentucky Tales and Romances.djvu/196

178 whose changing mists are beautiful illusions, whose shadows about the horizon are the mysteries of poetic feeling, whose purpling east is the palette of the imagination, and whose upspringing skylark is blithe aspiration that has not yet felt the weight of the clod it soars within. Before her still was the full morning of reality and the burden of the mid-day hours.

But if the history of any human soul could be perfectly known, who would wish to describe this passage from the dawn of the ideal to the morning of the real—this transition from life as it is imagined through hopes and dreams to life as it is known through action and submission? It is then that within the country of the soul occur events too vast, melancholy, and irreversible to be compared to anything less than the downfall of splendid dynasties, or the decay of an august religion, it is then that there leave us forever bright, aerial spirits of the fancy, separation from whom is like grief for the death of the beloved.

The moment of this transition had come in the life of Sister Dolorosa, and unconsciously she was taking her last look at the gorgeous western clouds from the hill-tops of her chaste life of dreams.

A flock of frightened doves sped hurtling low over her head, and put an end to her reverie. Pressing the rosary to her lips, she turned and walked on towards the convent, not far away. The little foot-path across the fields was well trodden and familiar, running as it did between the convent and the farm-house behind her in which lived old Ezra and Martha Cross; and as she followed its windings, her thoughts, as is likely to be true of the thoughts of nuns, came home from the clouds to the humblest concerns of the earth, and she