Page:Flute and Violin and Other Kentucky Tales and Romances.djvu/116

98 trunks of some leafless sycamores. Still nearer, it caught the top of the brown foliage of a little bent oak-tree and burned it into a silvery flame. It lit on the back and the wings of a crow flying heavily in the path of its rays, and made his blackness as white as the breast of a swan. In the immediate foreground, it sparkled in minute gleams along the stalks of the coarse, dead weeds that fell away from the legs and the flanks of a white horse, and slanted across the face of the rider and through the ends of his gray hair, which straggled from beneath his soft black hat.

The horse, old and patient and gentle, stood with low-stretched neck and closed eyes half asleep in the faint glow of the waning heat; and the rider, the sole human presence in all the field, sat looking across the silent autumnal landscape, sunk in reverie. Both horse and rider seemed but harmonious elements in the panorama of still-life, and completed the picture of a closing scene.

To the man it was a closing scene. From the rank, fallow field through which he had been riding he was now surveying, for the last time, the many features of a landscape that had been familiar to him from the be ginning of memory. In the afternoon and the autumn of his age he was about to rend the last ties that bound him to his former life, and, like one who had survived his own destiny, turn his face towards a future that was void of everything he held significant or dear.

The Civil War had only the year before reached its ever-memorable close. From where he sat there was not a home in sight, as there was not one beyond the reach of his vision, but had felt its influence. Some of his neighbors had come home from its camps and