Page:Flatland, a Romance of Many Dimensions (1963, fifth edition).djvu/50

 commended themselves to all. Wherever Chromatistes,—for by that name the most trustworthy authorities concur in calling him,—turned his variegated frame, there he at once excited attention, and attracted respect. No one now needed to “feel” him; no one mistook his front for his back; all his movements were readily ascertained by his neighbours without the slightest strain on their powers of calculation; no one jostled him, or failed to make way for him; his voice was saved the labour of that exhausting utterance by which we colourless Squares and Pentagons are often forced to proclaim our individuality when we move amid a crowd of ignorant Isosceles.

The fashion spread like wildfire. Before a week was over, every Square and Triangle in the district had copied the example of Chromatistes, and only a few of the more conservative Pentagons still held out. A month or two found even the Dodecagons infected with the innovation. A year had not elapsed before the habit had spread to all but the very highest of the Nobility. Needless to say, the custom soon made its way from the district of Chromatistes to surrounding regions; and within two generations no one in all Flatland was colourless except the Women and the Priests.

Here Nature herself appeared to erect a barrier, and to plead against extending the innovation to these two classes. Many-sidedness was almost essential as a pretext for the Innovators. “Distinction of sides is intended by Nature to imply distinction of colours”—such was the sophism which in those days flew from mouth to mouth, converting whole towns at a time to the new culture. But manifestly to our Priests and Women this adage did not apply. The latter had only one side, and therefore—plurally and pedantically speaking—no sides. The former—if at least they would assert their claim to be really and truly Circles, and not mere high-class Polygons with an infinitely large number of infinitesimally small sides—were