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 rank, who was insensible of the admiration he had for her beauty.

"He composed a love scene for two strings, the 'E' and 'G', the first was to personate the lady, the second himself. It commenced with a species of dialogue, intending to represent her indifference and his passion; now sportive, now sad; laughter on her part and tears from him, ending in an apotheosis of loving reconciliation. It affected the lady to that degree that ever after she loved the violinist."

"And no doubt they were happy?" Mildred suggested smilingly.

"Yes," said the old man, with assumed sentiment, "even when his profession called him far away, for she had made him promise her he never would play upon the two strings whose music had won her heart, so those strings were mute, except for her."