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 interest, since it contains references not only to Cibber, but also (though this appears to have been hitherto overlooked) to Fielding himself. The “tall Man,” who at Mercury’s request strips off his “old Grey Coat with great Readiness,” but refuses to part with “half his Chin,” which the shepherd of souls regards as false, is clearly intended for the writer of the paper, even without the confirmation afforded by the subsequent allusions to his connection with the stage. His “length of chin and nose,” sufficiently apparent in his portrait, was a favourite theme for contemporary personalities. Of the moral essays, the most remarkable are a set of four papers, entitled An Apology for the Clergy, which may perhaps be regarded as a set-off against the sarcasms of Pasquin on priestcraft. They depict, with a great deal of knowledge and discrimination, the pattern priest as Fielding conceived him. To these may be linked an earlier picture, taken from life, of a country parson who, in his simple and dignified surroundings, even more closely resembles the Vicar of Wakefield than Mr. Abraham Adams. Some of the more general articles contain happy passages. In one there is an admirable parody of the Norman-French jargon, which in those days added superfluous obscurity to legal utterances; while another, on “Charity,” contains a forcible exposition of the inexpediency, as well as inhumanity, of imprisonment for debt. References to contemporaries, the inevitable Cibber excepted, are few, and these seem mostly from the pen of Ralph. The following, from that of Fielding, is notable as being one of the earliest authoritative testimonies to the merits of Hogarth: “I esteem (says he) the ingenious Mr. Hogarth as one of