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 of necessity, include those of a strolling player. Some obscure and temporary connection with Bartholomew Fair he may have had, as Smollett, in the scurrilous pamphlet issued in 1742, makes him say that he blew a trumpet there in quality of herald to a collection of wild beasts; but this is probably no more than an earlier and uglier form of the apparition laid by Mr. Latreille. The only positive evidence of any connection between Henry Fielding and the Smithfield carnival is, that Theophilus Cibber’s company played the Miser at their booth in August 1733.

With the exception of the Miser and an afterpiece, never printed, entitled Deborah; or, A Wife for you all, which was acted for Miss Raftor’s benefit in April 1733, nothing important was brought upon the stage by Fielding until January of the following year, when he produced the Intriguing Chambermaid, and a revised version of the Author’s Farce. By a succession of changes, which it is impossible here to describe in detail, considerable alterations had taken place in the management of Drury Lane. In the first place, Wilks was dead, and his share in the Patent was represented by his widow. Booth also was dead, and Mrs. Booth had sold her share to Giffard of Goodman’s Fields, while the elder Cibber had retired. At the beginning of the season of 1733-34 the leading patentee was an amateur called Highmore, who had purchased Cibber’s share. He had also purchased part of Booth’s share before his death in May 1733. The only other shareholder of importance was Mrs. Wilks. Shortly after the opening of the theatre in September, the greater part of the Drury Lane Company, led by the younger Cibber, revolted