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 this affair by assuming that he was despatched to the Dutch university, instead of Oxford or Cambridge, in order to keep him out of harm’s way. This is, however, to travel somewhat from the realm of fact into that of romance. At the same time, it must be admitted that the materials for romance are tempting. A charming girl, who is also an heiress; a pusillanimous guardian with ulterior views of his own; a handsome and high-spirited young suitor; a faithful attendant ready to “beat, maim, or kill” in his master’s behalf; a frustrated elopement and a compulsory visit to the mayor—all these, with the picturesque old town of Lyme for a background, suggest a most appropriate first act to Harry Fielding’s biographical tragi-comedy. But to do such a theme justice we must

“call up him that left half-told”

the story of Denis Duval.