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 and set in motion by Amelia. Round her they revolve; from her they obtain their impulse and their orbit. The best of the men, as studies, are Dr. Harrison and Colonel Bath. The former, who is as benevolent as Allworthy, is far more human, and it may be added, more humorous in well-doing. He is an individual rather than an abstraction. Bath, with his dignity and gun-cotton honour, is also admirable, but not entirely free from the objection made to some of Dickens’s creations, that they are rather characteristics than characters. Captain William Booth, beyond his truth to nature, manifests no qualities that can compensate for his weakness, and the best that can be said of him is, that without it, his wife would have had no opportunity for the display of her magnanimity. There is also a certain want of consistency in his presentment; and when, in the residence of Mr. Bondum the bailiff, he suddenly develops an unexpected scholarship, it is impossible not to suspect that Fielding was unwilling to lose the opportunity of preserving some neglected scenes of the Author’s Farce. Miss Matthews is a new and remarkable study of the femme entretenue, to parallel which, as in the case of Lady Bellaston, we must go to Balzac; Mrs. James, again, is an excellent example of that vapid and colourless nonentity, the “person of condition.” Mrs. Bennet, although apparently more contradictory and less intelligible, is nevertheless true to her past history and present environments; while her husband, the sergeant, with his concealed and reverential love for his beautiful foster-sister, has had a long line of descendants in the modern novel. It is upon Amelia, however, that the author has lavished all his pains, and there is no more touching