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viii reader is often enlisted quite as much for the writer, as for the hero, of the tale.

Knowing, therefore, how general is this desire to become acquainted with the personal history of authors, I have taken special pains, in preparing a work on the Female Prose Writers of the country, to make the biographical sketches as full and minute as circumstances would justify, or the writers themselves would allow. The work contains two charming pieces of autobiography, now appearing for the first time, from two long-established favourites with the public, Miss Leslie and Mrs. Gilman. In almost all cases the information has been obtained directly by correspondence with the authors, or their friends. Where this has failed, recourse has been had to the best printed authorities. The work, it is believed, will be found to contain an unusual amount of authentic information, and on subjects where authentic information is equally desirable and difficult to obtain.

The task of making selections has not been easy. I have studied, as far as possible, to select passages characteristic of the different styles of each writer, and at the same time to present the reader with an agreeable variety.

Those who have not been led professionally, or otherwise, to examine the subject particularly, will probably be surprised at the evidences of the rapid growth of literature among American women, during the present generation. When Hannah Adams first published her “View of all Religions,” so rare was the example of a woman who could write a book, that she was looked upon as one of the wonders of the Western world. Learned men of Europe sought her aquaintance and entered into correspondence with her. Yet now, less than twenty years since the death of Hannah Adams, a ponderous volume of nearly five hundred pages is hardly sufficient to enrol the names, and give a few brief extracts from each of our female writers, who have already adorned the annals of literature