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Fancies versus Fads the surliness of a rebel; Goldsmith the morbid sensibility of a rebel; and Scott, at the end of the process, something of the despair and mere retrospection of a defeated rebel. And the Whig school of literary criticism, like the Whig school of political history, has omitted or missed this truth about them, because it necessarily omitted the very existence of the thing against which they rebelled. For Macaulay and Thackeray and the average of Victorian liberality the Revolution of 1688 was simply an emancipation, the defeat of the Stuarts was simply a downfall of tyranny and superstition; the politics of the eighteenth century were simply a progress leading up to the pure and happy politics of the nineteenth century; freedom slowly broadening down, etc., etc. This makes the attitude of the Tory rebels entirely meaningless; so that the critics in question have been forced to represent some of the greatest Englishmen who ever lived as a mere procession of lunatics and ludicrous eccentrics. But these rebels, right or wrong, can only be understood in relation to the real power against which they were rebelling; and their titanic figures can best be traced in the light of the lightning which they defied. That power was a positive thing; it was anything but a mere negative emancipation of everybody. It was as definite as the monarchy which it had replaced; for it was an aristocracy that replaced it. It was the oligarchy of the great Whig families, a very close corporation indeed, having Parliament for its legal form, but the new wealth for its essential substance. That is why these lingering Jacobites appear most picturesque when they are pitted against some of 230