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The Boredom of Butterflies probable that the diary of a butterfly would be very dull, even if it were only the diary of a day. His round need be no more really amusing than a postman's, since he has no serious spiritual interest in any of his places of call. Now, by starting his hero as a philosopher and also philanderer, and taking seriously his philosophy of philandering, the author as good as tells us, to start with, that his hero will not have any serious adventures at all. At the beginning of the story, he practically tells us that there will be no story. The story of a fickle man is not a story at all; because there is no strain or resistance in it. Somebody talked about tales with a twist; and it is certain that all tales are tales with a tug.

All the most subtle truths of literature are to be found in legend. There is no better test of the truth of serious fiction than the simple truths to be found in a fairy tale or an old ballad. Now, in the whole of folk-lore there is no such thing as free love. There is such a thing as false love. There is also another thing, which the old ballads always talk of as true love. But the story always turns on the keeping of a bond or the breaking of it; and this quite apart from orthodox morality in the matter of the marriage bond. The love may be in the strict sense sinful, but it is never anarchical. There was quite as little freedom for Lancelot as for Arthur; quite as little mere philandering in the philosophy of Tristram as in the philosophy of Galahad. It may have been unlawful love, but it certainly was not lawless love. In the old ballads there is the triumph of true love, as in "The Bailiff's Daughter of Islington"; or the tragedy of true love, as in "Helen of Kirkconnel Lea"; or the 101