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It is a passing flash of indignation at the trap in which he has been caught. When the time comes he keeps his oath at the cost of his life. Yet the line is repeatedly cited as showing the dreadful doctrines of Euripides and the sophists; doctrines that would justify any perjury!

The Hippolytus, as we have it, is a rewritten play. In his first version Euripides had a scene in which Phaedra actually declared her love. This more obvious treatment was preferred by Seneca and Racine; but Euripides in his second thoughts reached a far more austere and beautiful effect. His Phaedra goes to her death without having spoken one word to Hippolytus: she has heard him but has not answered. The Hippolytus has more serene beauty than any of Euripides' plays since the Alcestis, and is specially remarkable as the first great drama on the subject of tragic or unhappy love, a theme which has been so extraordinarily fruitful on the modern stage. To contemporaries it was also interesting as one of the earliest treatments of a purely local Attic story, which had not quite found its way into the great sagas of epic tradition.