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Rh Where a sound of living waters never ceaseth In God's quiet garden by the sea, And Earth, the ancient Life-giver, increaseth Joy among the meadows, like a tree.

And the wish for escape brings an actual escape, on some wind of beauty, as it were, from the Chorus's own world. This is, on the whole, the most normal use of the Choric odes, though occasionally they may also be used for helping on the action. For instance, in the ode immediately following that just quoted the Chorus gives a sort of prophetic or clairvoyant description of Phaedra's suicide.

But the Greek Chorus does not only sing its great odes on an empty stage; it also carries on, by the mouth of its Leader, a certain amount of ordinary dialogue with the actors. Its work here is generally kept unobtrusive, neutral and low-toned. When a traveller wants to ask his way; when the hero or heroine announces some resolve, or gives some direction, the Leader is there to make the necessary response. But only within certain carefully guarded limits. The Leader must never become a definite full-blooded character with strongly personal views. He must never take really effective or violent