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Rh a word, singers when out of tune, and actors who tripped in their delivery of dialogue. Their moral sense, indeed, was not on a level with their taste and shrewd understandings: yet we shall have to record more than one instance of their calling Euripides to account for opinions which they deemed unwholesome, or for innovations which they regarded as needless departures from established custom. It may he doubted whether they were a very patient audience. They seem to have had little scruple in expressing their approbation or disapprobation, as well of the poet as the actor; and their mode of doing so was sometimes very rough, inasmuch as, besides hissing and hooting at them strenuously, they pelted bad or unpopular actors with stones.

The varied appearance of the spectators on the higher benches did not extend to the lower ones, which the citizens proper occupied. Fops and dandies there were in the wealthy classes, and especially among the immediate followers of Alcibiades, or those who aped their extravagances. But generally no democrat brooked in a brother democrat display or singularity. A house better than ordinary, or fine raiment, were considered marks of an oligarchic disposition; and the owner of such gauds, if he aspired to public office, was pretty sure to have them cast in his teeth at the hustings. But sobriety in raiment, in dwelling, or equipage, did not abate the vivacious spirit of the Ionians of the west. When offended or wearied by a play, they employed all the artillery of displeasure against the spectators as well as the