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can hardly be grateful enough for the care or caprice of the grammarian or the collector of old plays who has preserved for us one sample of the Greek satyric drama. Some uncertainty still exists about the precise nature of this curious appendage to the tragic Trilogy; but without such aid as we get from the "Cyclops" of Euripides, we should depend on fragments or guess-work, if not be quite in the dark. Even with this single plank from the general wreck of these after-pieces before us, we look at the species through a veil. The severe and solemn Æschylus is recorded to have been a successful composer of such light and cheerful pieces; but this bit of information by no means helps to clear up doubts. Sweetness may have come out of the strong, but of what kind was Æschylean mirth, or even relaxation from gravity?