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150 "Ion" and "Hippolytus" are each of them examples of youthful virtue: the latter has, or at least displays, the more enthusiastic temperament, which, however, is drawn out from him by the greater severity of his lot. Yet we can easily conceive the votary of the chaste Diana passing through life quite as contentedly in her service as Ion would have passed his days as a minister of Apollo. It was the hard destiny of the son of Theseus to have incurred the heavy displeasure of one goddess through his earnest devotion to another. The life-battle he has to fight is indeed really a contest between two rival divinities; and were second titles possible in Greek plays, this affecting and noble tragedy might be entitled "Hippolytus, or the Contest between Venus and Diana."

As the plot of the "Hippolytus" is, through the "Phédre" of Racine, probably better known to English readers than the more complicated fable of the "Ion," it may be sufficient to state it briefly, and to direct attention rather to the characters than the story. The hero is the son of Theseus, king of Athens, by the Amazonian Hippolyta, whom Shakespeare has sketched in his "Midsummer Night's Dream." His boyish years have been passed at Troezen with his grandfather, the pure-minded Pittheus. While under his roof, Hippolytus devotes himself to the worship of Diana: like her he delights in the chase; like her also he shuns the snares of love or the chains of wedlock. Excelling in all manly exercises, and adorned with every virtue, he unhappily not merely neglects Venus, but irritates her by open expressions of contempt for