Page:Essence of Christianity (1854).djvu/40

 can I doubt of God, who is my being? To doubt of God is to doubt of myself. Only when God is thought of abstractly, when his predicates are the result of philosophic abstraction, arises the distinction or separation between subject and predicate, existence and nature—arises the fiction that the existence or the subject is something else than the predicate, something immediate, indubitable, in distinction from the predicate, which is held to be doubtful. But this is only a fiction. A God who has abstract predicates has also an abstract existence. Existence, being, varies with varying qualities.

The identity of the subject and predicate is clearly evidenced by the progressive development of religion, which is identical with the progressive development of human culture. So long as man is in a mere state of nature, so long is his god a mere nature-god—a personification of some natural force. Where man inhabits houses, he also encloses his gods in temples. The temple is only a manifestation of the value which man attaches to beautiful buildings. Temples in honour of religion are in truth temples in honour of architecture. With the emerging of man from a state of savagery and wildness to one of culture, with the distinction between what is fitting for man and what is not fitting, arises simultaneously the distinction between that which is fitting and that which is not fitting for God. God is the idea of majesty, of the highest dignity: the religious sentiment is the sentiment of supreme fitness. The later more cultured artists of Greece were the first to embody in the statues of the gods the ideas of dignity, of spiritual grandeur, of imperturbable repose and serenity. But why were these qualities in their view attributes, predicates of God? Because they were in themselves regarded by the Greeks as divinities. Why did those artists exclude all disgusting and low passions? Because they perceived them to be unbecoming, unworthy, unhuman, and consequently ungodlike. The Homeric gods eat and drink;—that implies: eating and drinking is a divine pleasure. Physical strength is an attribute of the Homeric gods: Zeus is the strongest of the gods. Why? Because physical strength, in and by itself, was regarded as something glorious, divine. To the ancient Germans the highest virtues were those of the warrior; therefore, their supreme god was the god of war, Odin,—war, “the original or oldest law.” Not the attribute of the divinity, but the divineness or deity of the attribute, is the first true Divine Being.