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 200 appearance. Moreover, it seems to me that such an anecdote, narrated with admirable assurance, reveals very painfully the lack of a fine and delicate spirituality in the religious training of children; of that grace and distinction which are akin to saintship, and are united so charmingly in those to whom truth has been inseparably associated with beauty. There is a painting by Ghirlandaio hanging over the altar in the chapel of the Foundling Asylum in Florence. It represents the Adoration of the Magi, and kneeling by the side of the Wise Men is a little group of the Holy Innocents, their tiny garments stained with blood, their hands clasped in prayer; while the Divine Child turns from his mother's embraces, and from the kings' rich gifts to greet the little companions who have yielded up their spotless lives for him. Now, surely those lean, brown Florentine orphans, who have always before their eyes this beautiful and tender picture, absorb through it alone a religious sentiment unfelt by American children who are familiar only with the ugly and inane prints of