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 At this point we may attempt,—aided by Holbein, and by tradition—to form some idea of his personal appearance. Erasmus was a rather small man, slight, but well-built; he had, as became a Teuton, blue eyes, yellowish or light brown hair, and a fair complexion. The face is a remarkable one. It has two chief characteristics,—quiet, watchful sagacity,—and humour, half playful, half sarcastic. The eyes are calm, critical, steadily observant, with a half-latent twinkle in them; the nose is straight, rather long, and pointed; the rippling curves of the large mouth indicate a certain energetic vivacity of temperament, and tenacity of purpose; while the pose of the head suggests vigilant caution, almost timidity. As we continue to study the features, they speak more and more clearly of insight and refinement; of a worldly yet very gentle shrewdness; of cheerful self-mastery; and of a mind which has its weapons ready at every instant. But there is no suggestion of enthusiasm,—unless it be the literary enthusiasm of a student. It is difficult to imagine those cool eyes kindled by any glow of passion, or that genial serenity broken by a spiritual struggle. This man, we feel, would be an intellectual champion of truth and reason; his wit might be as the spear of Ithuriel, and his satire as the sword of Gideon; but he has not the face of a hero or a martyr.

On entering the University of Paris, Erasmus took up his residence at the Montaigu College. It was on the south side of the Seine, not far from the Sorbonne, and is said to have stood on the site now