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 Vinctus is the romance of skepticism. Not less true to all time are all the details of that stately apologue. Apollo kept the flocks of Admetus, said the poets. Every man is a divinity in disguise, a god playing the fool. It seems as if heaven had sent its in sane angels into our world as to an asylum, and here they will break out into their native music and utter at intervals the words they have heard in heaven; then the mad fit returns, and they mope and wallow like dogs. When the gods come among men, they are not known. Jesus was not; Socrates and Shakspeare were not. Antæus was suffocated by the gripe of Hercules, but every time he touched his mother earth, his strength was renewed. Man is the broken giant, and in all his weakness, both his body and his mind are invigorated by habits of conversation with nature. The power of music, the power of poetry to unfix, and as it were, clap wings to all solid nature, interprets the riddle of Orpheus, which was to his childhood an idle tale. The philosophical perception of identity through endless mutations of form, makes him know the Proteus. What else am I who laughed or wept yesterday, who slept last night like a corpse, and this morning stood and ran? And what see I on any side but the transmigrations of Proteus? I can symbolize my thought by using the name of any creature, of any fact, because every creature is man agent, or patient. Tantalus is but a name for you and me. Tantalus means the impossibility of drinking the waters of thought which are always gleaming and waving within sight of the soul.