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 every condition and circumstance, no matter what the motion, action, gait, or speed, the state of obedience or revolt, understands instinctively every impression that comes from the horse's mouth, and is ready at once to accept, refuse, counteract, or suppress both the effect and the cause.

The English expressions, "fine hand," and "light hand," suggest the skill of the pianist or the prestidigitator, whose tools have no will of their own. The intelligent hand responds to and controls the vital forces of a creature animated by the will to live. The hands of the rider are two vowels of the equestrian alphabet; the legs are two consonants; accuracy of seat unites the four letters into a word of the language with which rider and horse communicate. If a letter is lacking, or if the word is not formed, then there is no sense.

All this is no dream, no illusion of the mind. It is a fact, a reality; albeit, it is understood only by the master who knows the language and appreciates the significance of each letter and each combination, as the educated horse understands them. A fine hand means nothing. A hard hand is a fault. An intelligent hand is all in all.

A RIDER is in accord with his horse when his aids are in correct ratio to one another and to the movement which is required of the horse.

The rider's hand retains, sustains, and directs