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Smit, Cogent Arts & Humanities (2015), 2: 1064246 http://dx.doi.org/10.1080/23311983.2015.1064246 meaning. But as Baudrillard keenly observes, we are never identical or present to ourselves, and that the impossibility of reducing the meaning making process, is to embrace a “radical alterity” (2000, p. 71). Die Antwoord is an embrace of alterity and the confusion and discomfort that exist within the notion of difference.

Funding

This work was supported by Rhodes University [grant number 1400256].

Author details

Sonja Smit E-mail: twiggysmit@gmail.com Drama Department, Rhodes University, 8 Anderson Street, Grahamstown 6139, South Africa.

Citation information

Cite this article as: Enter the imperceptible: Reading Die Antwoord, Sonja Smit, Cogent Arts & Humanities (2015), 2: 1064246.

Notes

References

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Discography

Antwoord, D. (2009). “Enter the Ninja”, $0$. Indie/Interscope. Antwoord, D. (2012). “Fatty boom boom”. Tension. Zef Recordz. Antwoord, D. (2012). “Never le Nkemise”. Tension. Zef Recordz.

Online videos

Antwoord, D. (2012). Fatty boom boom. Retrieved December 13, 2012, from http://m.youtube.com/watch?v=AIXUgtNC4Kc Interview Gone Wrong. (2010). Retrieved May 12, 2012, from http://www.youtube.com/watch?v=bG9ZtQ3phoE

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