Page:English Caricaturists and Graphic Humourists of the nineteenth century.djvu/502

 "Anarchy," and "Liberalism." Bomba of Naples having staked a large sum, he and other monarchs follow the erratic movements of the ball with absorbing attention. In the background may be seen the then Queen of Spain and Louis Philippe, who, having staked their all and lost, are just leaving the apartment. Another, following up the same subject, is the political sea serpent of "Revolution" suddenly appearing above the surface of the sea and upsetting, one after another, the cockle-shell boats in which the various European sovereigns are endeavouring to get to shore. The writer in the Catholic "Month" points out the fact that "this picture was drawn in the earlier part of the year, before the Roman revolution, and the Holy Father was still riding safely unharmed by the monster which is working havoc in France and Germany, and Austria and Spain." In The Citizen of the World we find a capital skit upon the "admirable Crichton" delusion which made my Lord Brougham fancy himself in every character he chose to assume, or on any subject to which he condescended to give his attention, facile princeps. Here we find him figuring in turn as an English Lord Chancellor, a German student, a French subject, a French National Guard, an American citizen, a Bedouin Arab, a Carmelite monk, a Chinese mandarin, an Osmanli, a red Indian, a Scottish shepherd, and by the unmistakable nose and self-complacent smirk on his countenance, it is clear that in each and every character Henry Lord Brougham feels himself thoroughly at home. The Sleeping Beauty is a clever composition. "Beauty," by the way, is Lord John Russell, and amongst the sleeping attendants may be recognised the Duke of Wellington, Benjamin Disraeli, Colonel Sibthorpe, and Lord William Bentinck; while the ever indispensable Brougham of course puts in an appearance, this time in the character of a jester.

Richard Doyle, as we have seen, was young when he joined the ranks of the Punch staff. Young men are apt to "dream dreams," and one of Richard Doyle's was in truth a charming one. In Ireland: a Dream of the Future, he shows us our Queen gazing into the depths of an Irish lake, wherein she beholds prosperous towns, smiling fields, a contented peasantry, flourishing homesteads, a land flowing with