Page:English Caricaturists and Graphic Humourists of the nineteenth century.djvu/236

 character. One of the most indelicate(*) (drawn by the artist from the sketch or suggestion of another) gives a burlesque front and back view of the figure, which is surrounded by a number of people (principally ladies), among whom we recognise a caricature likeness of the "Dook." The inscription runs as follows: "To Arthur à Bradley, and his jolly companions every one, this brazen image of Patrick O'Killus, Esq., is inscribed by their countrywomen." Besides the foregoing, we meet this year with A Lollipop-Ally Campagne and Brandy Ball(*); Premium, Far, and Discount; Showing-off—Bang up—Prime(*); and A Sailor's description of a Chase and Capture(*).

A large proportion of his satires for 1823 are aimed at Louis the Eighteenth's Spanish expedition, the object of which we have already related. One of these shows us France the great Nation driven by the North into the South; in another, Ferdinand the Seventh and the Duc d'Angoulème figure respectively as a Spanish Mule and a French Jackass; A French Hilt on a Spanish Rapier, is likewise dedicated to the Duc d'Angoulème; another shows us Old Bumblehead the 18th trying on Napoleon's Boots; a fifth is entitled, A Hint to the Blind and Foolish, or the Bourbon Dynasty in Danger; while a sixth shows us Louis the Fat troubled with Nightmare and Dreams of Terror. In all these caricatures, the figure of Napoleon, already sleeping his last sleep at St. Helena—the place of his exile and of his grave—is represented by way of contrast to the unwieldly and incompetent Bourbon. Another caricature, the point of which I fail to see, bears the title of The Tables Turn'd, or the Devil Outwitted and Cruelly Punished,—a Scene on the Portsmouth Treadmill; this last, though said to be "designed by an amateur," and "etched by G. Ck.," is unquestionably all his own.

Drilling One-tenth of the Military in the Manual Exercise, and Saint Shela (two subjects), have reference to the Tenth Hussars and