Page:English Caricaturists and Graphic Humourists of the nineteenth century.djvu/122

 both sexes are busily engaged in exercising their hobbies. In the foreground, a broad-brimmed young "Friend" gives ardent and amorous chase to a lovely Quakeress, who, apparently disinclined to encourage his advances, urges her steed to its utmost speed, and makes frantic endeavours to get out of his way.

The internal condition of the country this year (1819) gave cause for much anxiety. Pecuniary distress, owing to the depression in trade, was almost universal. This state of things, as might have been expected, was taken advantage of by the popular agitators for their own purposes; and the people, under their encouragement, as in the two previous years, continued to give audible expression to their dissatisfaction at meetings, and through the medium of publications more or less of a seditious character. The miserable outlook gave rise (among others) to a pair of caricatures, published by Fores on the 9th of January, John Bull in Clover, and (by way of contrast), John Bull Done Over. In the first, fat John is enjoying himself with his pipe and his glass; the sleek condition of his dog shows that it shares in the comforts of its master's prosperity. John, in fact, has what our Transatlantic cousins call "a good time;" scattered over the floor lie invoices of goods despatched by him to customers in Spain, in Russia, in America. Beneath a portrait of "Good Queen Bess," John has pinned several of his favourite ballads: "The Land we live in," "Oh, the Roast Beef of Old England!" "May we all live the days of our life." In John Bull Done Over, a very different picture is presented to our notice. The whole of John's fat is gone; he sits, a lean, starving, tattered, shoeless object in a bottomless chair, the embodiment of human misery. In place of his invoices lie the Gazette, which announces his bankruptcy, and a number of tradesmen's bills; on the back of his chair is coiled a rope, and on the table before him a razor lies on a treatise on suicide,—John in fact is debating by what mode he shall put an end to his existence. An onion and some water in a broken jug are the only articles of sustenance he has to depend on. The tax gatherer, who has made a number of fruitless calls, looks through the broken panes to ascertain if John is really "at home." On the wall, in place of the