Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/71

 many women are refused that a man might put up with it, and be made to feel it once."

In her triumph Bertha's attitude to Axel becomes overbearing; she humiliates him, belittles his art, and even plans to humble him before the guests invited to celebrate Bertha's artistic success.

But Axel is tearing himself free from the meshes of his decaying love. He begins to see Bertha as she is: her unscrupulousness in money matters, her ceaseless effort to emasculate him. In a terrible word tussle he tells her: " I had once been free, but you clipped the hair of my strength while my tired head lay in your lap. During sleep you stole my best blood."

In the last act Bertha discovers that Axel had generously changed the numbers on the paintings in order to give her a better chance. It was his picture that was chosen as her work. She feels ashamed and humiliated; but it is too late. Axel leaves her with the exclamation, " I want to meet my comrades in the caf&eacute;, but at home I want a wife. "

A characteristic sidelight in the play is given by the conversation of Mrs. Hall, the divorced wife of Doctor Ostermark.. She comes to Bertha with a bitter tirade against the Doctor because he gives her insufficient alimony.