Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/64

 a question of life and death, a moment that means discovery and consequent ruin, or safety for both.

Jean. though the male is aroused in him, pleads with Julie not to play with fire, begs her to return to her room, and not to give the servants a chance for gossip. And when later Jean suggests his room for a hiding place that Julie may escape the approaching merry-makers, it is to save her from their songs full of insinuation and ribaldry. Finally when the inevitable happens, when as a result of their closeness in Jean's room, of their overwrought nerves, their intense passion, the avalanche of sex sweeps them off their feet, forgetful of station, birth and conventions, and they return to the kitchen, it is again Jean who is willing to bear his share of the responsibility. "I don t care to shirk my share of the blame," he tells Julie, "but do you think any one of my position would have dared to raise his eyes to you if you had not invited it?"

There is more truth in this statement than the Julies can grasp, namely, that even servants have their passions and feelings that cannot long be trifled with, with impunity. The Jeans know "that it is the glitter of brass, not gold, that dazzles us from below, and that the eagle's back is gray like the rest of him." For Jean says, "I'm sorry to have to realize that all that I have