Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/63

 Kristin. I don't want to be here in this house any, longer where one cannot respect one's betters.

Jean. Why should one respect them?

Kristin. Yes, you can say that, you are so smart. But I don't want to serve people who behave so. It reflects on oneself, I think.

Jean. Yes, but it's a comfort that they're not a bit better than we.

Kristin. No, I don't think so, for if they are no better there's no use in our trying to better ourselves in this world. And to think of the Count! Think of him who has had so much sorrow all his days. No, I don't want to stay in this house any longer! And to think of it being with such as you 1 If it had been the Lieutenant -...I have never lowered my position. Let any one say, if they can, that the Count's cook has had anything to do with the riding master or the swineherd. Let them come and say it!

Such dignity and morality are indeed pathetic, because they indicate how completely serfdom may annihilate even the longing for something higher and better in the breast of a human being. The Kristins represent the greatest obstacle to social growth, the deadlock in the conflict between the classes. On the other hand, the Jeans, with all their longing for higher possibilities, often become brutalized in the hard school of life; though in the conflict with Julie, Jean shows brutality only at the critical moment, when it be-