Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/301

 for many years thereafter he lived the life of the bosyaki. He tramped through the length and breadth of Russia; he lived with the peasant, the factory worker and the outcast. He knew them intimately; he understood their psychology, for he was not only with them, but of them. Therefore Gorki has been. able to present such a vivid picture of the underworld.

"A Night's Lodging" portrays a lodging house, hideous and foul, where gather, the social derelicts,—the thief, the gamble, the ex-artist, the ex-aristocrat, the prostitute. All of them had at one time an ambition, a goal, but because of their lack of will and the injustice and cruelty of the world, they were forced into the depths and cast back whenever they attempted to rise. They are the superfluous ones, dehumanized and brutalized.

In this poisonous air, where everything withers and dies, we nevertheless find character. Natasha, a young girl, still retains her wholesome instincts. She had never known love or sympathy, had gone hungry all her days, and had tasted nothing but abuse from her brutal sister, on whom she was dependent. Vaska Pepel, the young thief, a lodger in the house, strikes a responsive chord in her the moment he makes her feel that he cares for her and that she might be of spiritual and moral help to him. Vaska, like Natasha, is a product of his social environment.