Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/298

 Materialism reigns supreme: it lords the orchard with mighty hand and in the frenzy of its triumph believes itself in control of the bodies and souls of men. But in the madness of conquest it has discounted a stubborn obstacle — the spirit of idealism. It is symbolized in Peter Trophimof,  the perpetual student," and Anya, the young daughter of Mme. Ranevsky. The "wonderful achievements" of the materialistic age do not enthuse them; they have emancipated themselves from the Lopakhin idol as well as from their aristocratic traditions.

Anya. Why is it that I no longer love the cherry orchard as I did? I used to love it so tenderly; I thought there was no better place on earth than our garden.

''Trophimof. ''All Russia is our garden. The earth is great and beautiful; it is full of wonderful places. Think, Anya, your grandfather, your great-grandfather and all your ancestors were serf-owners, owners of living souls. Do not human spirits look out at you from every tree in the orchard, from every, leaf and every stem? Do you not hear human voices? . . . Oh! it is terrible. Your orchard frightens me. When I walk through it in the evening or at night, the rugged bark on the trees glow with a dim light, and the cherry trees seem to see all that happened a hundred and two hundred years ago in painful and oppressive dreams. Well, we have fallen at least two hundred years beyond the times. We have achieved nothing at all as yet; we have not made up our minds how we stand with the past; we only philosophize,