Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/259

 Paul Ruttledge longs for the freedom of the road,—to sleep under the open sky, to count the stars, to be free. He throws oft all artificial restraint and is received with open arms by the tinkers. To identify himself more closely with their life, he marries a tinker's daughter—not according to the rites of State or Church, but in true tinker fashion—in freedom—bound only by the promise to be faithful and "not hurt each other."

In honor of the occasion, Paul tenders to his comrades and the people of the neighborhood a grand feast, full of the spirit of life's joy,- an outpouring of gladness that lasts a whole week.

Paul's brother, his friends, and the authorities are incensed over the carousal. They demand that he terminate the "drunken orgy."

Mr. Joyce. This is a disgraceful business, Paul; the whole countryside is demoralized. There is not a man who has come to sensible years who is not drunk.

Mr. Dowler. This is a flagrant violation of all propriety. Society is shaken to its roots. My own servants have been led astray by the free drinks that are being given in the village. My butler, who has been with me for seven years, has not been seen for the last two days.

Mr. Algie. I endorse his sentiments completely. There has not been a stroke of work done for the last week. The hay is lying in ridges where it has been cut, there is not a man to be found to water the cattle. It is impossible to get as much as a horse shod in the village.