Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/245

 has made an invention which holds great by means of it he hopes to shake deadly grip of the Rutherfords'. He wants to become a free man and mold a new life for his wife and child. He knows his father will not credit the value of his invention. He dare not approach him: the Rutherford children have been held in dread of their parent too long.

John turns to Martin, the faithful servant, the confidence of Rutherford. John feels himself safe with Martin. But he does not know that Martin, too, is dedicated to Moloch, broken by his twenty-five years of service, left without will, without purpose outside of the Rutherfords'.

Martin tries to enlist Rutherford's interest in behalf of John. But the old man decides that John must turn over his invention to the House of Rutherford.

Rutherford.What's your receipt? John. I want to know where I stand. . . . I want my price. ''Rutherford. ''Your price-your price? Damn your impudence, sir. .. . So that's your line, is it? . . . This is what I get for all I've done for you. . . . This is the result of the schooling I gave you. I've toiled and sweated to give you a name you'd be proud to own- worked early and late, toiled like a dog when other men