Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/233

 representing the wakefulness of every small community to the shortcomings of its neighbors. Christopher Hawthorne and Nathaniel Jeffcote had begun life together as lads in the cotton mill. But while Christopher was always a timid and shrinking boy, Nathaniel was aggressive and am. bilious. When the play opens, Christopher, though an old man, is still a poor weaver; Nathaniel, on the contrary, has reached the top of financial and social success. He is the owner of the biggest mill; is wealthy, influential, and withal a man of power. For Nathaniel Jeffcote always loved power and social approval. Speaking of the motor he bought for his only son Alan, he tells his wife:

Jeffcote. Why did I buy a motor-car? Not because I wanted to go motoring. I hate it. I bought it so that people could see Alan driving about in it, and say, "There's Jeffcote's lad in his new car. It cost five hundred quid."

However, Nathaniel is a "square man," and when facing an emergency, not chary with justice and always quick to decide in its favor.

The Jeffcotes center all their hopes on Alan, their only child, who is to inherit their fortune and business. Alan is engaged to Beatrice, the lovely, sweet daughter of Sir Timothy Farrar, and all is joyous at the Jeffcotes'.