Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/228

 see, if she cannot.... For the great part of mankind, to see anything—is fatal. No, Monsieur. To be so near to death has done me good; I shall not lack courage any more till the wind blows on my grave. Since I saw you, Monsieur, I have been in three Institutions. They are palaces.... One little thing they lack—those palaces. It is understanding of the 'uman heart. In them tame birds pluck wild birds naked. Ah! Monsieur, I am loafer, waster—what you like—for all that, poverty is my only crime. If I were rich, should I not be simply verree original, 'ighly respected, with soul above commerce, traveling to see the world? And that young girl, would she not be "that charming ladee," "veree chic, you know!" And the old Tims—good old-fashioned gentleman—drinking his liquor well. Eh! bien—what are we now ? Dark beasts, despised by all. That is life, Monsieur. Monsieur, it is just that. You understand. When we are with you we feel something-here—If I had one prayer to make, it would be, "Good God, give me to understand!" Those sirs, with their theories, they can clean our skins and chain our 'abits—that soothes for them the aesthetic sense; it gives them too their good little importance. But our spirits they cannot touch, for they nevare understand. Without that, Monsieur, all is dry as a parched skin of orange. Monsieur, of their industry I say nothing. They do a good work while they attend with their theories to the sick and the tame old, and the good unfortunate deserving. Above all to the little children. But, Monsieur, when all is done, there are always us hopeless ones. What can they do with me, Monsieur, with that girl, or