Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/190

 she'd cut off her hands sooner than touch anything that was not what it ought to be.... But you see you can't mention such things in society. Once let out the word hotel and everybody says you keep a public-house. You wouldn't like people to say that of your mother, would you? That's why we're so reserved about it.... Don't turn up your nose at business, Miss Vivie: where would your Newnhams and Girtons be without it? . . . You wouldn't refuse the acquaintance of my mother's cousin, the Duke of Belgravia, because some of the rents he gets are earned in queer ways. You wouldn't cut the Archbishop of Canterbury, I suppose, because the Ecclesiastical Commissioners have a few publicans and sinners among their tenants? Do you remember your Crofts scholarship at Newnham? Well, that was founded by my brother the M.P. He gets his 22 per cent. out of a factory with 600 girls in it, and not one of them getting wages enough to live on. How d' ye suppose most of them manage? Ask your mother. And do you expect me to turn my back on 35 per cent. when all the rest are pocketing what they can, like sensible men? No such fool! If you're going to pick and choose your acquaintances on moral principles, you'd better clear out of this country, unless you want to cut yourself out of all decent society.... The world isn't such a bad place as the croakers make out. So long as you don't fly openly in the face of society, society doesn't ask any inconvenient questions; and it makes precious short work of the cads who do. There are no secrets better kept than the secrets that everybody guesses. In the society I can introduce you to, no lady or gentleman would so far forget