Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/119

 Digs up our metals, sweats, and smelts, and brews. The earth-man and the water-sprite he takes To drag his burdens, and, to harness, breaks.

She steals my cherished flowers, my red-brown ores, My gold, my Precious stones, my resinous stores. She serves him like a slave, by night and day. 'Tis he she kisses—us she keeps at bay. Naught stands against him. Ancient trees he fells. The earth quakes at his tread, and all the dells Ring with the echo of his thunderous blows. His Crimson smithy furnace glows and shines Into the depths Of my most secret mines. What he is up to, only Satan knows!

The Nickelmann Brekekekex! Hadst thou the creature slain, A-rotting in the mere long since he had lain — The maker of the bell, beside the bell. And so when next I had wished to throw the stones, The bell had been my box—the dice, his bones!

But even they are powerless to stern the tide of the Ideal: they are helpless in the face of Heinrich's new-born faith, of his burning passion to complete his task, and give voice to the thousand throated golden peal.

Heinrich works and toils, and when doubt casts its black shadow athwart his path, Rautendelein charms back hope. She alone has boundless faith in her Balder,— god of the joy of Life — for he is part of her, of the great glowing force her spirit