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 'Wuthering Heights' was still in the reviewer's hands, Emily Brontë's more fortunate sister was busy on another novel. This book has never attained the steady success of her masterpiece, ’Villette,' neither did it meet with the furor which greeted the first appearance of 'Jane Eyre.' It is, indeed, inferior to either work; a very quiet study of Yorkshire life, almost pettifogging in its interest in ecclesiastical squabbles, almost absurd in the feminine inadequacy of its heroes. And yet 'Shirley' has a grace and beauty of its own. This it derives from the charm of its heroines—Caroline Helstone, a lovely portrait in character of Charlotte's dearest friend, and Shirley herself, a fancy likeness of Emily Brontë.

Emily Brontë, but under very different conditions. No longer poor, no longer thwarted, no longer acquainted with misery and menaced by untimely death; not thus, but as a loving sister would fain have seen her, beautiful, triumphant, the spoiled child of happy fortune. Yet in these altered circumstances Shirley keeps her likeness to Charlotte's hardworking sister; the disguise, haply baffling those who, like Mrs. Gaskell, "have not a pleasant impression of Emily Brontë," is very easily penetrated by those who love her. Under the pathetic finery so lovingly bestowed, under the borrowed