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author of Fidessa has gained undeserved notice from the fact that the piratical printer W. Jaggard, included a transcript of one of his sonnets in a volume that he put forth in 1599, under the name of Shakespeare. It would be easy to believe, in spite of the doubtful rimes characteristic of Fidessa, that sonnet three was not Griffin's, for no singer in the Elizabethan choir was more skilful in turning his voice to other people's melodies than was he. He has been called "a gross plagiary;" yet it must be realised that the sonneteers of that time felt they had a right, almost a duty, to take up the poetic themes used by their models. Griffin shows great ingenuity in the manipulation of the stock-themes, and the lover of Petrarch and all the young Abraham-Slenders of the day must have been delighted with the familiar "designs" as they re-appeared in Fidessa.