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 rate, the language of the dedication rings with something more than mere desire for distinguished patronage. The youth looks with a beautiful humility upward toward the greater but "dear and most entire beloved" poet. His own sonnets, he says, are "of my study the budding springs"; they are but "young-hatched orphan things." He nowhere boasts that they will give immortal renown to the scornful beauty, but modestly promises that if her cruel disdain does not ruin him, the time shall come when he "more large" her "praises forth shall pen." Chloris had once been favourable, as sonnet forty-eight distinctly shows, but the cycle does not bring any happy conclusion to the story. Corin is left weeping but faithful, and the picture of Chloris is composed of such faint outlines only as the sonneteer's conventions can delineate. Beyond this no certain information in regard to poet or honoured lady has yet been unearthed.

For all its formality, however, the sonnet-cycle is not wanting in touches of real feeling and lines of musical sweetness; the writer shows considerable skill in the management of rime, and in