Page:Eliza Scidmore--Jinrikisha days in Japan.djvu/358

 for legions of children, and during matsuris it is crowded with booths and side-shows. Hiogo, meaning “arsenal,” figures prominently in ancient history, and here Kusunoki Masashige, that ideal hero and model of chivalric valor, fought the last battle of the War of the Chrysanthemums and established the sovereignty of the Emperor Go-Daigo in the fourteenth century. Kusunoki's memory is worshipped everywhere, but the Nanko temple in Hiogo is dedicated to his memory, and on anniversary days its matsuris are brilliant and picturesque affairs. Besides this great Shinto temple, Hiogo has a Buddhist establishment of equal importance—the Shinkoji, outside whose sanctuary sits a colossal bronze Buddha of serene, majestic countenance, its granite pedestal rising as an island in the midst of a lotus pond.

Properly speaking, the Minatogawa lies in Hiogo, but where ancient Hiogo ends and modern Kobé begins no mortal can see. The Motomachi, the main street of Kobé, winds its narrow length from the banks of the Minatogawa to the Foreign Concession, beyond which warehouses, tea-firing godowns, and foreign residences stretch and spread in every way outside the narrow limits of the tract conceded to alien residents in the treaties. Kobé means “head,” or “gate of god,” probably in reference to its position at the entrance of the Inland Sea. While so picturesquely placed it is the model foreign settlement of the East, and the municipal council—a mixed board of consular and native officials—has never allowed its right to that fame to be questioned. A pretty park down in the heart of the Concession, shaded with ancient camphor-trees and ornamented by hedges, groups of palms, thatched summer-houses, and a bell-tower, was once the execution-ground of Hiogo. A small temple that stood near it has given way to a large tea-firing godown, and native children tumble and play where the 342