Page:Eliza Scidmore--Jinrikisha days in Japan.djvu/119

 Theatre buildings are light and flimsy wooden structures, with straw-mats and matting everywhere. They are all alike—a square auditorium with a sloping floor, a single low gallery, and a stage the full width of the house. The floor space is divided into so-called boxes by low railings, that serve as bridges for the occupants to pass in and out. Visitors always sit on the floor, each box being six feet square and designed for four people. The gallery has one row of boxes at either side, several rows facing the stage, and behind them a pen, where the multitude stand and listen, paying one or two coppers for each act. This gallery of the gods is called the “deaf seat,” but the deaf hear well enough to be vociferous. The theatre-goer takes a check for his shoes, and racks hanging full of wooden clogs are the ornaments of the foyer. Within the building are booths for the sale of fruits, tea, sweets, tobacco, toys, hair-pins, photographs of the stars, and other notions, so that a box-party need not leave the house in pursuit of any creature comforts. The ventilation is too good, and the light and open construction invites wintry draughts.

Charges are made in detail, and the following is one bill presented for a party of seven at a Yokohama theatre. No charge was made for the two family servants, who came and went at will.

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