Page:Eliot - Daniel Deronda, vol. III, 1876.djvu/157

 a deep discouragement, like that of men on a doomed ship who, having strained their eyes after a sail, and beheld it with rejoicing, behold it never advance, and say, "Our sick eyes make it." But the long-contemplated figure had come as an emotional sequence of Mordecai's firmest theoretic convictions; it had been wrought from the imagery of his most passionate life; and it inevitably reappeared—reappeared in a more specific self-asserting form than ever. Deronda had that sort of resemblance to the preconceived type which a finely individual bust or portrait has to the more generalised copy left in our minds after a long interval: we renew our memory with delight, but we hardly know with how much correction. And now, his face met Mordecai's inward gaze as if it had always belonged to the awaited friend, raying out, moreover, some of that influence which belongs to breathing flesh; till by-and-by it seemed that discouragement had turned into a new obstinacy of resistance, and the ever-recurrent vision had the force of an outward call to disregard counter–evidence, and keep expectation awake. It was Deronda now who was seen in the often painful night-watches, when we are all liable to be held with the clutch of a single thought—whose figure, never with its back turned, was seen in