Page:Eliot - Daniel Deronda, vol. III, 1876.djvu/147

 dingy bricks and dingy cracked windows, his imagination spontaneously planted him on some spot where he had a far-stretching scene; his thought went on in wide spaces; and whenever he could, he tried to have in reality the influences of a large sky. Leaning on the parapet of Blackfriars Bridge, and gazing meditatively, the breadth and calm of the river, with its long vista half hazy, half luminous, the grand dim masses or tall forms of buildings which were the signs of world-commerce, the oncoming of boats and barges from the still distance into sound and colour, entered into his mood and blent themselves indistinguishably with his thinking, as a fine symphony to which we can hardly be said to listen makes a medium that bears up our spiritual wings. Thus it happened that the figure representative of Mordecai's longing was mentally seen darkened by the excess of light in the aerial background. But in the inevitable progress of his imagination towards fuller detail, he ceased to see the figure with its back towards him. It began to advance, and a face became discernible; the words youth, beauty, refinement, Jewish birth, noble gravity, turned into hardly individual but typical form and colour: gathered from his memory of faces seen among the Jews of Holland and Bohemia, and from