Page:Eliot - Adam Bede, vol. II, 1859.djvu/225

Rh he look at her? She thought she should cry if he gave her no sign of feeling. Now he was there—he had taken her hand—yes, he was pressing it. Hetty turned pale as she looked up at him for an instant and met his eyes, before the dance carried him away. That pale look came upon Arthur like the beginning of a dull pain, which clung to him, though he must dance and smile and joke all the same. Hetty would look so, when he told her what he had to tell her; and he should never be able to bear it—he should be a fool, and give way again. Hetty's look did not really mean so much as he thought: it was only the sign of a struggle between the desire for him to notice her, and the dread lest she should betray the desire to others. But Hetty's face had a language that transcended her feelings. There are faces which nature charges with a meaning and pathos not belonging to the single human soul that flutters beneath them, but speaking the joys and sorrows of foregone generations—eyes that tell of deep love which doubtless has been and is somewhere, but not paired with these eyes—perhaps paired with pale eyes that can say nothing; just as a national language may be instinct with poetry unfelt by the lips that use it. That look of Hetty's